Inspirations

Learning in Action

Learning without limits. Explore projects that showcase the power of the Reggio Emilia Approach.

Exploring the Meaning of Mark-Making

This exhibition presents:

  • moments of the Earliest Encounters with marks, realised by children from 6 to 18 months
  • learning journeys of children from 4 to 6 years old, making sense of The Marks of Culture using culturally significant mark-making materials.

This exhibition aims to make visible how mark-making offers opportunities for children to develop understandings about functions of tools, cause and effect, imaginative expressions, social relationships and the joy of simply being with familiar people and places.

– E-Bridge Pre-Schools

By invitation from REACH in the spirit of the 2024 conference ‘In Dialogue with Reggio Emilia: Listening to Children’s Languages through the Mosaic of Marks, Words, Material’, we were very excited to bring together our very own poetic mosaic with thoughtful projects that captured the complexity of children’s thinking and learning. 

Our exhibition celebrated the many ways children notice, analyse and communicate with the magic and unlimited potential of marks in diverse ways!

As we pondered about marks and their powerful potential, we invited our EtonHouse educators to discuss and dialogue as we asked, ‘What does a mark mean to you? Using responses from our educators, we were excited to launch our ‘More than just a Mark’ poem as a celebration of perspectives to honour the exhibition and provoke many conversations into the future.

“Marks are clues! They are messages… but you have to slow down to see them!” Willow, 7 years old

– EtonHouse International Schools and Pre-Schools

Every year at Claymore, we wrap up the school year with our cherished tradition—the 100 Languages Exhibition—a meaningful celebration of children’s learning. The “100 Languages”, a poem written by Loris Malaguzzi, represents the endless possibilities for children to express their thoughts, feelings, and ideas, enabling them to gain new understandings of the world around them, whether through the language of paint, wire, movement, or other creative forms.

This exhibition is an opportunity for the entire school community to come together, where children excitedly showcase their learning to their families, and teachers and parents connect to unpack each child’s unique learning journey. The school is transformed into a vibrant gallery, with children’s work aesthetically displayed in classrooms or shared learning spaces, highlighting the rich inquiry-based learning that has taken place throughout the year.

The meaningful moments of the exhibition don’t end there—after the event, children’s art pieces remain on display throughout the school, continuing to reinforce their sense of ownership and belonging. This tradition not only celebrates the diversity of expression but also strengthens the bond between home and school, creating a lasting impact on everyone involved.

– EtonHouse International Pre-School Claymore

During the two-day training session, participants were invited to immerse themselves in and operate rich materials and tools, this also led them to deeply analyse the Reggio Emilia Approach–explore the relationship between art and pre-school education, reflect on the role of teachers, and rethink how to better support children’s independent thinking and active creation in the future.

在这两天的培训中,我们不仅邀请参会者对丰富的材料和工具进行了浸润式地体验和操作,同时还带领他们深度解析瑞吉欧经典案例,探索艺术与学前教育的关系,从而不断反思教师角色,重新思考今后如何更好地支持儿童独立思考和积极创造。

– EtonHouse International Education Group China Early Childhood Education Research Centre (新加坡伊顿国际教育集团中国区学前教育研究中心)

The ink exhibition celebrates the creativity of our children, where they engage deeply with the essence of ink, exploring its diverse languages and dynamic interactions with various canvases. Guided by their curiosity, children immersed themselves in the rich cultural traditions of ink, from Japanese Suminagashi ink to Chinese Calligraphy ink, using an array of tools to express their unique perspectives. Through this journey of exploration, children weave together narratives, animations and art pieces. As their creations grace our exhibition, they not only shared their stories but also contributed to the funds raised to the EtonHouse Community Fund, embodying the spirit of collaboration and community engagement. 

– EtonHouse Pre-School Upper Bukit Timah

Flour, fruits and vegetables are the most common and mundane ingredients in our lives. However, when our teachers integrate these ordinary ingredients into our teaching activities and carefully create spaces and environments to stimulate children’s exploration, providing rich exploratory tools and materials, we see the “extraordinary in the ordinary”. We will follow our Nursery children’s exploratory experiences, such as “Magical Flour” and “Fruit and Vegetable Trail Creation,” to listen and discover the hundreds of ways in which children express themselves.

面粉蔬果都是我们生活中最为常见的平凡的食材但当我们的老师把这些平凡的食材投放在我们的教学活动中,并精心的创设激发孩子们探索的空间环境提供孩子们丰富的探索工具材料时让我们看到了“平凡中的不平凡”跟随我们托班幼儿的探索活动“神奇百变的面粉”、“蔬果痕迹创作”聆听与发现幼儿们一百种语言的表达方式 

– EtonHouse Shanghai Qingpu Maies Pre-School (新加坡伊顿上海青浦马雅思幼儿园)

Reflections

Reflections on learning. Educators share their insights, experiences, and discoveries from their professional learning journeys.

Participating in the REACH Chinese Foundational Study Programme was truly a privilege and a valuable opportunity for professional growth. More than just a week of learning, it felt like an intentional pause from my daily responsibilities—a dedicated time to reflect, reconnect, and re-examine our practices on the ground through a different lens.

 

Throughout the programme, I was deeply inspired by the Reggio Emilia philosophy and its unwavering belief in the image of the child as capable, competent, and full of potential. Listening to the sharing sessions and visiting learning environments prompted me to reflect honestly on my own practice. At times, I even felt a sense of guilt, realising that we may unintentionally limit children’s opportunities because of concerns around safety, time, space, or routines. While these constraints are real, the programme challenged me to rethink whether they should define what is possible.

 

 

One of the most impactful experiences was visiting EtonHouse International Pre-School Claymore. I was fascinated by how every space, no matter how small, was intentionally designed to provoke thinking, invite exploration, and honour children’s voices. Even a narrow corridor was transformed into a meaningful learning environment. This experience reinforced the idea that it is not the size of the space that matters, but the intention behind its design. Every corner reflected a deep respect for children and their capabilities, demonstrating that the image of the child can be made visible throughout the environment.

This experience shifted my perspective on the role of the environment as the third teacher. Rather than viewing our physical constraints as limitations, I began to see opportunities to redesign and reimagine the spaces we already have. It reminded me that meaningful learning can happen anywhere when educators carefully consider the purpose, possibilities, and invitations embedded within the environment.

The discussions on pedagogical documentation also resonated strongly with me. I came to appreciate that documentation is not merely about displaying children’s work or recording observations, but about making learning visible, interpreting children’s theories, and engaging in collaborative reflection with colleagues.

 

As a Lead preschool educator, this programme has strengthened my commitment to advocating for children’s rights, agency, and participation. It has inspired me to continue reflecting on our everyday practices, question long-held assumptions, and create environments that empower children to explore, express themselves, and construct knowledge through the hundred languages available to them.

I leave this programme feeling both inspired and challenged. While there is still much to learn and improve, I am motivated to bring these reflections back to my centre and work alongside my team to create more intentional, responsive, and meaningful learning experiences for every child. The greatest takeaway for me is that meaningful change does not always require more space or more resources—it begins with a change in mindset and a renewed belief in the extraordinary capabilities of every child.

Reflection by:
Kylye Ng Syn Wui
Lead Preschool Educator (Mandarin)
E-Bridge Pre-School

The Reggio Emilia Approach to early childhood education places a strong emphasis on the role of families in a child’s learning journey. Unlike traditional educational models where parents play a secondary role, Reggio Emilia settings view families as essential partners in the learning process. This philosophy fosters a culture of collaboration, respect, and shared responsibility between educators, children, and families.

One of the key principles of Reggio Emilia is the belief that children learn best in a supportive, community-driven environment. Parents are encouraged to participate actively in their child’s education, not just as observers but as contributors. They engage in regular discussions with teachers, help document children’s progress, and even take part in classroom activities. This partnership ensures that learning extends beyond the classroom and into the home, creating a seamless connection between school and family life.

Furthermore, Reggio Emilia settings value the diversity of family backgrounds and perspectives. Educators recognise that each family’s unique culture and experiences enrich the learning environment. By integrating family traditions, languages, and values into the curriculum, children develop a deeper understanding of the world around them. This inclusivity fosters a sense of belonging and respect among all members of the school community. 

In conclusion, the culture of families in Reggio Emilia settings is one of active participation, mutual respect, and shared learning. By embracing family involvement, these schools create a nurturing environment where children, parents, and educators grow together as a learning community.

Reflection by:
Joanne Tong
Senior Quality Assurance Manager
E-Bridge Pre-School

Reflecting on the study trip to the Loris Malaguzzi Centre in Reggio Emilia, Italy, has led to a significant transformation in my views on environments for young children. The Centre and the pre-schools we visited exemplify Malaguzzi’s vision, embracing a philosophy that sees children as capable, resourceful, and active participants in their learning journey.

The concept of the “hundred languages of children” resonated profoundly, emphasizing the value of various forms of expression and learning beyond traditional education approach. The significant impact of long-term, inquiry-based learning was clearly visible in the children’s intricate projects, which were carefully planned and facilitated to align with their interests and questions. The atelier, a space for exploration and experimentation with different materials, showcased how creative expression promotes critical thinking and problem-solving skills.

The focus on documentation, not merely as a record but as a means for reflection and dialogue, was especially striking. The thoughtfully displayed project documentation-featuring photographs, documentations, and children’s artwork— revealed the depth of their learning processes and the educators’ insightful observations.

The collaborative spirit among educators, children, and families was evident throughout the pre-schools. Its environment, designed to encourage interaction and communication, reflected a community committed to nurturing children’s potential. This experience has deepened my appreciation for the importance of creating learning environments that are responsive, stimulating, and respectful of children’s natural curiosity and creativity. The Reggio Emilia Approach should not be seen as a method to replicate. but rather as an inspiration to foster a culture of listening, observation. and respect for children’s interests and abilities.

Reflection by:
Cathy Chew
Senior Centre Leader
E-Bridge Pre-School

Participating in the recent study group in Reggio Emilia was a transformative experience that deepened my understanding of its educational philosophy. Immersing myself in this inspiring environment, I was moved by the emphasis on seeing the child as capable, the power of collaboration, and the innovative practices that celebrate curiosity and creativity as the heart of learning.

I gained a deeper appreciation for the idea that children build their lives through the knowledge and experiences they encounter and the relationships they form. Identity emerges from these interactions, shaped by the balance between belonging and recognizing differences. In education, time is key for these processes to unfold naturally, embracing mistakes and risks as essential parts of learning. Children thrive when given the freedom to explore, exchange ideas, and navigate conflicts. Through these experiences, children not only develop empathy but gain a greater understanding of others.

I also learnt that the Reggio Emilia Approach takes a social-constructivist view of teaching and learning, emphasizing the creation of contexts where children can lead their own learning. This happens through the interplay of their ideas with those of others and the world around them. In this framework, the adult’s role is to design environments that empower children to explore independently, rethinking traditional notions of teaching and learning. They model being active participants by giving a voice to various subjectivities and to the group.

Teachers used documentation as a tool to gather information and the children’s responses to explore their own teaching, to inform professional dialogue and to generate questions and inquiry about the children and their learning. It is then shared with children and families to enable them to interpret, reflect upon, evaluate and co-construct the meaning of experiences. Therefore, observation and documentation are invaluable tools, serving not only as records but as reflective practices that enrich learning for both children and adults.

Reflection by:
Nurafahsha Binte Mohamad Ya’acob
Class Teacher
EtonHouse Pre-School Mountbatten 223

Participating in the study group reaffirmed a belief that has shaped my practice for years—the Atelier is more than a physical space; it is a living culture that nurtures thinking, creativity and relationships. It is a space where children’s ideas take shape, where their hands and minds work in harmony, and where their voices are truly heard. The Atelier is a place of possibility, filled with curiosity, dialogue and deep exploration.

One of the most powerful reminders from this experience was that working with children is not about giving them answers. It is about walking alongside them, wondering together, embracing the unexpected and trusting in the process of learning. The Atelier cultivates this by offering an environment where children are encouraged to experiment, take risks and make sense of their world in their own way. Mistakes are not seen as obstacles, but as part of the journey, leading to new understandings and deeper connections.

Inclusivity within the Atelier resonated deeply with me. When a space is designed with intention, it welcomes every child, inviting them to explore in ways that feel natural to them. I have seen first-hand how thoughtful arrangements of materials spark curiosity, how open- ended evocations inspire collaboration and how the environment itself becomes an active participant in the learning process.

What stood out most was the role of storytelling. Every brushstroke, layered material, and quiet moment of observation is a story that links past experiences to discoveries. Learning and storytelling are not separate; they are intertwined, shaping the way children make sense of their world and strengthening connections between school, home and community.

This experience has deepened my commitment to fostering a culture of the Atelier—one that honours children as thinkers, creators and storytellers. More than ever, I feel inspired to create spaces where their ideas can flourish, their voices can be heard and their creativity can unfold in ways that are meaningful to them.

Reflection by:
Vivien Khoo  
Class Teacher
EtonHouse Garden School by the Bay

Materials can speak. We can hear them if we choose to listen. They contain stories, histories, and unseen possibilities. Humans are ingrained to engage with materials through the narrow lens of function. Once we assign a material it’s purpose, we close off to others. A button belongs on clothes, a box is for storing items, and once a piece of bubble wrap has fulfilled its purpose (and inevitably been popped), it is discarded as waste.

Let’s take a step back. What if, instead of asking a material, “What are you for?” we asked, “Who are you?” What if we looked at materials as subjects rather than objects? What if we pushed aside our preconceived assumptions and allowed curiosity to guide us?

As with anything in life, the less we know about a subject, the more intriguing it becomes. Asking, “Who are you?” when encountering a material shifts it from an object to be used into a subject to be studied, researched, experienced, and listened to. It invites us to focus on its qualities—how it looks, feels, sounds, smells—how it can be perceived. Within this deep connection, unique perspectives emerge, shaped by individual experiences. A simple shift in perception opens doors to wonder: what could you be? What could you become? What stories do you hold?

Allowing ourselves to rediscover and recharge materials with fresh eyes breathes new life into explorations and experiences. A piece of coloured plastic can transform into a magical canvas for light exploration. An unknown round metal part from an old clock can become the eye of a dragon in an imaginative storytelling session. Materials do not and should not serve a singular purpose. They should remain open invitations for heuristic play, inquiry, research, experimentation, and reinvention— sparking dialogues that redefine what is possible. If we allow materials to speak, they will reveal not only what they can become, but what we, too, are capable of imagining.

Reflection by:
Aletia Viola
Curriculum Coordinator
EtonHouse International Pre-School Claymore

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